op.57 (2009)Dedication: to Lee Chao-Hsiu
Theatralization: not excluded
It's something like four encores. The complexity is, that No.2 and No.4 have scordaturas - in No. 4 it's completely necessary. Therefore, in case the composition has to be performed as the cycle, it looks necessary to have as a maximum two, or as a minimum one additional violin adjusted beforehand. Similarly in the case of encore performance.
|Mikhail Kollontay, 2008-2018|